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Interview with Shahla
Haeri
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You state in the book your reasons for
choosing Pakistani women for the subject of No Shame For the Sun.
Can you speak more about that. Why did you decide to go to Pakistan
as oppose to Iran for the research for your book? |
So I went. I had a short stop in Pakistan. I was pleasantly surprised, because as you know, in 1987, Pakistan was under General Zia. Despite that, it seemed to be relatively freer than what I had experienced in Iran, and that the people were just wonderful, very helpful, excited to see me. From there I went to India and similarly I found Indians just as warm. Sometime I would forget where was I, whether in Pakistan or in India, because people were really nice. Whether they were Hindus, Jains, or Muslims, didn’t make any difference. They were just all very friendly, going out of their way to be helpful to me.
Did you know anyone in Pakistan before you went there?
Not a single soul! Now when I think about it, I wonder, “How did
I manage to do that?” When I arrived in Karachi, I got there early
in the morning and my suitcase got lost. I kept on thinking, “how
am I going to make it to the hotel?” Finally, I [found] my suitcase
and walked to the bus early in the morning. I was the only woman in
that bus - and at that hour. The guys in the bus just stared at me -
which was pretty nerve wrecking.
So going to Pakistan, after having grown up in Iran, where
women are required to veil, did you find Pakistani society to be a little
more liberating?
This is really very interesting. If I ever get a chance I will write
about it [laughing]. You know, before the revolution, of course, [Iranian
women] didn’t veil. So we had the experience of not being [forced]
to veil. Women wore skirts and sleeveless dresses. So I was brought
up under [those] conditions... When I went to Pakistan, on one level
I found it liberating, in the sense that I didn’t have to wear
the veil [head scarf and long overcoat]. But in another sense I found
it very oppressive. Even more so than what you may find in Iran under
the present conditions. That is very paradoxical! Because in Iran once
you have [on] the veil, the scarf and the long robe, you can basically
go anywhere and do anything. Where as in Pakistan, even though I was
always dressed in shalwar qameez, if I were to walk out on
the street [by myself], I would be stared at. It was apparently something
not done. And then, of course, I realized that many of the Pakistanis
[from] upper-middle class and middle class have drivers who drive them
around. Karachi is a little bit different, in Karachi it was okay but
Lahore was oppressive on some levels.
When you went to Pakistan, was it with the intention to go
and interview women and talk to them?
No, no, I didn’t have the idea at all. Actually, after that year
(1987-88), I applied for another grant, which I got - a small grant
for a short period - to be in Pakistan and that had to do with the tension
between the fundamentalists and the secularists within a democratic
state. I wanted to see what roles women played and how they engaged
with institutions of power. So I was more interested in the development
of fundamentalism and in how women responded to that. So when I first
went to Pakistan it was with a different project.
The women whom you interview in the book are all very strong
and inspirational figures. Each has gone through her own trials. They
speak about some very personal and intimate experiences from their lives.
Was it difficult to get them to open up?
Well, these women did not all react the same way to my inquiries and
interests. Some were my friends [after having lived in Pakistan over
multiple trips there] and I knew them for a while before they agreed
to talk to me about their personal life. With some others, we seemed
to have hit it off quickly. Our interactions were more like open ended
conversations rather than a structured interview. Perhaps that's why
they felt more comfortable to delve into their emotions.
One thing that stands out about the book is that the women
whom you interviewed, they are all from affluent, privileged backgrounds.
Did you purposely do that?
Yes, I intended to do that because if we look at all the [anthropological]
books on women from the Muslim world -- most that are published in the
US at least, I don’t know about Europe -- are primarily about
peasant women, tribal women, rural women, urban poor women. [They are]
seldom, if ever, about the lives or activities of educated, professional,
upper-middle class women who have all along been very important in their
societies, engaged in various institutions of power, have been participating
in the public domain and trying to influence some change.
Do you think you have succeeded in your mission, which was
to reveal the professional and working Muslim women to the Western audience.
In other words, who is reading your book now? Is it being read in colleges?
Well
to some extent I have been successful if only to introduce the idea
into the discourse. Even the fact that I have in the subtitle ‘Lives
of Professional Women,’ that by itself created a lot of interest.
In fact, I was just attending a conference in Canada, an international
conference, and one of the themes that was proposed was to have more
research done on the lives and activities of professional women in the
Muslim world because this is the category of women who are in fact trying
to influence change or supporting women’s human rights. Since
my book was published, I have been invited to give many talks on Pakistan.
Many professors at Universities have been using my book. So, I guess
it is reaching a wide audience.
Before you wrote this book, you have written
another book? How long did it take you to write that book? |
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Dr. Haeri, it has been a pleasure talking to you and learning
about your experience in writing No Shame for the Sun. Thank you so
much for this opportunity.
It was fun talking with you. Thank you.
Film Reviews: |
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Book Reviews: |
| Profiles: |
| Razia Bhatti Ismat Chughtai Bilquis Edhi Salima Hashmi Nazia Hassan Mehreen Jabbar Asma Jahangir Fatima Jinnah Rana L. A. Khan Yasmeen Lari Nafis Sadik Bapsi Sidhwa Sabiha Sumar more to come... |
| Interviews: |
| Resources: |
| Bibliography |
| Sources for Images |
| Articles: |
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Reviving the Pakistani cinema |
| Contributors: |
| Faisal Abdulla |
| Ambreen Ali |
| Umar Cheema |
| Nalini Iyer |
| Laila Kazmi |
| Pratibha Kelapure |
| Anjum Niaz |
| Asra Nomani |
| Shabina Nishat Omar |
| Uzma Rizvi |